Sztuka krańców Europy, długie lata 90 i dziś w.ang - praca zbiorowa - 7 ofert

Liczba ofert: 7.
Książkę Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang można najtaniej kupić w sklepie internetowym dobre-ksiazki.com.pl za jedyne 77.62zł.
Średnia cena książki Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang wynosi 107.701429zł.

Cena: 77.62 zł
Sklep: dobre-ksiazki.com.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 77.62 zł w księgarni dobre-ksiazki.com.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Uj...

zobacz więcej informacji

Cena: 77.62 zł
Sklep: dobre-ksiazki.com.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 77.62 zł w księgarni dobre-ksiazki.com.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: Książki
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: b/d

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics...

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Cena: 98.74 zł
Sklep: madbooks.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 98.74 zł w księgarni madbooks.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Uj...

zobacz więcej informacji

Cena: 98.74 zł
Sklep: madbooks.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 98.74 zł w księgarni madbooks.pl
Wydawca: brak danych
Kategoria: Książki naukowe i popularnonaukowe/Sztuka
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: 2016

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989.
The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the "long-nineties," or are we already living in new, yet unnamed times?
Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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Cena: 102.40 zł
Sklep: dadada.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 102.40 zł w księgarni dadada.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Uj...

zobacz więcej informacji

Cena: 102.40 zł
Sklep: dadada.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 102.40 zł w księgarni dadada.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: Sztuka
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: b/d

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989. The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the ""long-nineties,"" or are we already living in new, yet unnamed times? Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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Cena: 109.86 zł
Sklep: nieprzeczytane.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang | za 109.86 zł w księgarni nieprzeczytane.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at ...

zobacz więcej informacji

Cena: 109.86 zł
Sklep: nieprzeczytane.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang | za 109.86 zł w księgarni nieprzeczytane.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: Oferta produktowa/Książki
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: b/d

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989.The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the "long-nineties," or are we already living in new, yet unnamed times?Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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Cena: 110.87 zł
Sklep: profit24.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang | ZAKŁADKA GRATIS DO KAÅ»DEGO ZAMÓWIENIA za 110.87 zł w księgarni profit24.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at ...

zobacz więcej informacji

Cena: 110.87 zł
Sklep: profit24.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang | ZAKŁADKA GRATIS DO KAÅ»DEGO ZAMÓWIENIA za 110.87 zł w księgarni profit24.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: Dział ogólny/Literatura
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: b/d

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989.The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the "long-nineties," or are we already living in new, yet unnamed times?Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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Cena: 123.95 zł
Sklep: mestro.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 123.95 zł w księgarni mestro.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at ...

zobacz więcej informacji

Cena: 123.95 zł
Sklep: mestro.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 123.95 zł w księgarni mestro.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: Książki/Książki popularno-naukowe
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: b/d

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989.The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the "long-nineties," or are we already living in new, yet unnamed times?Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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Cena: 130.47 zł
Sklep: selkar.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 130.47 zł w księgarni selkar.pl
The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Uj...

zobacz więcej informacji

Cena: 130.47 zł
Sklep: selkar.pl
Kup teraz Sztuka kraÅ„ców Europy, dÅ‚ugie lata 90 i dziÅ› w.ang za 130.47 zł w księgarni selkar.pl
Wydawca: CSW Zamek Ujazdowski
Kategoria: bez kategorii
ISBN: 9788361156598
Waga: b/d kg
Rok wydania: 2016

The starting point of the exhibition British British Polish Polish. Art from Europe's Edges in the Long '90s and Today presented in 2013 at the CCA Ujazdowski Castle was to show the unique simultaneous bloom of contemporary art in the UK as well as in Poland at the turn of the eighties and nineties, often associated with Young British Artists and Polish Critical Art. Their representatives, in a direct manner, undertook basic human questions - life and death, sex and violence, ethics and politics - thereby provoking lively and important discussions in their countries, also involving the media, which helped to transform contemporary art in the UK and Poland from a niche field - arousing interest only for the privy as it would seem into the broader popular culture. This process was taking place during rapid economic and social changes in both countries: in Britain it was the Big Bang, caused by the sudden deregulation of financial markets in 1986, the same year in which Damien Hirst began his studies at Goldsmiths' College; in Poland, there was the turbulent process of political transformation after the fall of communism in 1989.The presentation of the most important works of British and Polish art from the nineties was complemented with the works of young artists from the UK and Poland, who appeared after the global financial crisis of 2007/2008. From this, the question was asked: do eminent contemporary artists refer to the legacy of their predecessors, or do they reject it, or perhaps simply ignore it? And are we still stuck in the long-nineties, or are we already living in new, yet unnamed times?Along with the exhibition British British Polish Polish, work began on an extensive publication (in English and Polish) containing the texts of the curators - Tom Morton and Marek Goździewski as well as J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Jakub Bąk. The book also contains interviews with all the artists who partook in the exhibition, as well as rich calendar - developed by Oliver Basciano and Maryla Sitkowska - of British and Polish cultural and political scenes from the nineties and a selection of excerpts from the British and Polish press commenting on the achievements of Young British Art and Polish Critical Art. Appended later to the book was documentation depicting activities related to the controversy around one of the works displayed in the exhibition as well as a rich collection of press releases divulging the varied reception of the exhibition, which was recorded both as an important event in the history of modern art in Poland, as well as an expression of the reflection on the specificity of art from the nineties, arousing more and more interest today. The completion of this publication became an important task of the CCA Ujazdowski Castle as an institution, which was notably active in its participation in shaping the face of contemporary Polish art in the nineties.

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